ORGANIZING THE INTERNATIONAL WEEK:

Interviewing Fanni Niemi-Junkola and Anastasia Kozina 


A happening just happens, right? Wrong. Most happenings, like our yearly International Week, take lots of organizing and coordinating beforehand and during the happening.

Last Friday 29.4.2016, during the complimentary dinner for all IWeek contributors, I chatted with Fanni Niemi-Junkola and Anastasia Kozina, who were the main organizers for this fabulous week full of interesting programme.

Fanni Niemi-Junkola, Timo Kivikangas and Anastasia Kozina at the 4 Saisons
restaurant in Tampere market hall (Kauppahalli Neljä Vuodenaikaa)
At the Tampere Market Hall


According to Anastasia, the hardest thing in making the IWeek work was making people to actually reply to emails. For Fanni, it was challenging to crystallize the focus point of the programme, in other words to decide the final content of the week.

Asparagus at the 4 Saisons

Working together was also challenging at times, as it often is when schedules are tight and tempers flare as stress levels rise, but mostly Fanni and Anastasia got along very well. Fanni said she likes to give direct and honest feedback, and she also gave Anastasia a lot of responsibility and freedom. Anastasia took the whole as a learning experience, and listened to Fanni's experiences. Fanni was happy to combine her visions with Anastasia´s experience of last years iWeek.

Tommi Moilanen and Howell Istance & students at Thursday's sauna party

The best thing Anastasia experienced with making the IWeek happen was to see how people - students, teachers, other staff members - were enjoying themselves in the events and workshops. Fanni agreed with this, and added that at some point you just had to trust that all would go okay in the end.

Moreover, Fanni emphasized that she enjoyed watching people from various disciplines coming together and co-creating things. Students from other universities came too, as well as professionals and top names of their discipline. Anastasia added that you never knew who would turn up - maybe a big music publisher would meet a talented young artist, for instance.

Unexpected problems came up all the time. For example, there was a student who had come from abroad with the guest lecturer and their group, who had a citrus allergy. She then accidentally ate an orange cookie (provided in the tutoring students' room) and got an allergic reaction. There was no allergy medicine in the TAMK teachers' room medicine cabinet, so the girl had to be taken to her hotel room, where she had her own allergy pills.

For Fanni, it was important to trust your people. There were points when she thought, "oh no, how did I not take this into account?" - but things still worked out in the end.

Thank you, Fanni and Anastasia, for making our International Week happen!

Text & images: Carita Forsgren 2016



The band where the head of Media Timo Kivikangas is playing, Kolmas nainen is certainly not superstitious!
They have published their new single Me ollaan ne on Friday the 13th of September 2013.

Kolmas nainen - Me ollaan ne
By the way, their song is quite good, especially if you understand Finnish and know a bit about the band's history. The lyrics are sung in clear Finnish, so it suits also for people who are learning the language.

- Carita Forsgren




My name is Pasi Pitkänen and I am currently finishing up my 'Digital Sound and Commercial Music' studies  at Tampere University of Applied Sciences. During the first two years I gained a lot of new skills, knowhow and experience with recording, manipulating, mixing and mastering various audio content for films, games, advertisement etc. The first two years also helped me to gain confidence and apply to study game audio abroad. I spent the whole third year studying 'Creative Sound Production' at Abertay University in Dundee, Scotland.



The third year in Scotland and especially the first two years of 'Digital Sound and Commercial Music' really made me ready to pursue a career in game audio. I currently work for Rovio Entertainment Ltd. as a Junior Sound Designer and I can happily say that I make my living by creating sound effects, Foley and music for games and other projects.



My normal day at work usually consists of recording, manipulating and mixing sound effects for projects that are in production. I have an acoustically treated recording room where I set up my microphones whenever I need to record raw audio material. The quiet recording room and the great microphones enable me to gather high quality audio material for projects. I try to make sure that each sound effect that I make has that personal touch in it but sometimes you have to go 'hybrid' and layer your own recorded sounds with sounds from commercial sound effect libraries.

The other side and maybe the most important part of my work is preparation / scheduling. Whenever I start a new project I make sure that I create and prepare all the documents that I need to successfully complete the project. This usually consists of making the audio asset list with the production team and also preparing my personal time table. By making these two important documents I know exactly what I am doing and when I am doing it. It also makes my workflow faster and a lot easier, so I can't complain.

I am currently living my dream by making audio content for games and I honestly think that I would not be here without the knowledge and practical knowhow I gained during my 'Digital Sound and Commercial Music' studies.



Text by Pasi Pitkänen, student of Digital Sound and Commercial Music at TAMK.

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